The central conflicts of the world today are closely related to cultural, traditional, and religious differences between nations. As we move to a globalized world, these differences often become magnified, entrenched, and the cause of bloody conflict. Growing out of a conference of distinguished scholars from the Middle East, Europe, and the United States, this volume is a singular contribution to mutual understanding and cooperative efforts on behalf of peace. The term paideia, drawn from Greek philosophy, has to do with (...) responsible education for citizenship as a necessary precondition for effective democracy. (shrink)

White matter makes up about fifty percent of the human brain. Maturation of white matter accompanies biological development and undergoes the most dramatic changes during childhood and adolescence. Despite the advances in neuroimaging techniques, controversy concerning spatial, and temporal patterns of myelination, as well as the degree to which the microstructural characteristics of white matter can vary in a healthy brain as a function of age, gender and cognitive abilities still exists. In a selective review we describe methods of assessing (...) myelination and evaluate effects of age and gender in nine major fiber tracts, highlighting their role in higher-order cognitive functions. Our findings suggests that myelination indices vary by age, fiber tract, and hemisphere. Effects of gender were also identified, although some attribute differences to methodological factors or social and learning opportunities. Findings point to further directions of research that will improve our understanding of the complex myelination-behavior relation across development that may have implications for educational and clinical practice. (shrink)

The central conflicts of the world today are closely related to cultural, traditional, and religious differences between nations. As we move to a globalized world, these differences often become magnified, entrenched, and the cause of bloody conflict. Growing out of a conference of distinguished scholars from the Middle East, Europe, and the United States, this volume is a singular contribution to mutual understanding and cooperative efforts on behalf of peace. The term paideia, drawn from Greek philosophy, has to do with (...) responsible education for citizenship as a necessary precondition for effective democracy. (shrink)

The central conflicts of the world today are closely related to cultural, traditional, and religious differences between nations. As we move to a globalized world, these differences often become magnified, entrenched, and the cause of bloody conflict. Growing out of a conference of distinguished scholars from the Middle East, Europe, and the United States, this volume is a singular contribution to mutual understanding and cooperative efforts on behalf of peace. The term paideia, drawn from Greek philosophy, has to do with (...) responsible education for citizenship as a necessary precondition for effective democracy. (shrink)

PurposeRobots have a history of replacing human labor in undesirable, dirty, dull and dangerous tasks. With robots now emerging in academic and human-centered work, this paper aims to investigate psychological implications of robotizing desirable and socially rewarding work.Design/methodology/approachTesting the holistic stress model, this study examines educational professionals’ stress responses as mediators between robotization expectations and future optimism in life. The study uses survey data on 2,434 education professionals.FindingsRespondents entertaining robotization expectations perceived their work to be less meaningful and reported more (...) burnout symptoms than those with no robotization expectations. Future optimism about life was not affected by robotization expectations alone, but meaninglessness and burnout symptoms mediated the relation between expectations of robotization and future optimism.Practical implicationsRobotization may be viewed as challenging the meaningfulness of educational work by compromising ethical values and interaction. To prevent excess stress among personnel, robotization should be planned together with employees in co-operation negotiations. This implicates the need for co-designing technological changes in organizations especially in the cases of social use of robots.Originality/valueWork’s meaningfulness in robotization is a novel research topic and a step toward socially sustainable robotization. (shrink)

In her seminal attack on modern moral philosophy, G. E. M. Anscombe claims that Kant's ‘rule about universalizable maxims is useless without stipulations as to what shall count as a relevant description of an action with a view to constructing a maxim about it’. Although this so-called problem of relevant descriptions has received considerable attention in the literature, there is little agreement on how it should be understood or solved. My aim in this paper is, first, to clarify the problem (...) by clearing up several misunderstandings, and, second, to show that the problem is rooted in a standard assumption about Kant's stance on the scope of moral principles—an assumption that precludes its solution. I argue that the problem consists in the fact that Kant's formula of universal law seems to stand in need of an account of moral sensibility that does not render the formula superfluous. But, as my discussion of existing solutions reveals, there can be no such account. Instead, I propose a dissolution: we should think of the formula of universal law itself as Kant's account of moral sensibility. In order to do so, we must reject the standard assumption that a principle is universal if and only if it holds for all instances of the action type that it specifies. (shrink)

The article is based on theories of meaning creation and the concepts of archaic mind of Juri Lotman and Giambattista Vico. It compares the notions fantasia, ingegno, memoria and poetic logic by Vico with Lotman’s concepts of text, memory and modelling systems. Donald Phillip Verene’s and Marcel Danesi’s interpretations of Giambattista Vico’s work are also taken into consideration in the analysis. The article aims to bring out the characteristic features of archaic meaning creation. The archaic mind is considered to be (...) fundamentally poetic. Its main mechanism of generating new meaning is metaphorical identification of two otherwise separate elements. The creativity of this act lies in the presumption that imagination is needed to bring these two elements together — they cannot be identified with each other by the means of syllogistic logic. The archaic mind does not operate mainly with generic concepts, as rational mind does. It forms imaginative universals instead, which are based on the sense of identity between objects or their parts, not on the sense of similarity/ dissimilarity of distinct features of objects. This process forms the basis of poetic modelling, which is primary in relation to verbal modelling. (shrink)

There is no universally accepted definition of moral damages. The concept is usually understood in the context of torts that cause psychological harm to a person that are difficult to quantify. Heaven’s Chancellery uses a fictional narrative to describe difficulties of obtaining compensation for damages by victims of moral injustice.

Being frequently used in philosophical discourse multi-semantic character of «utopia» concept arises a need to specify it's content and to study the phenomenon itself. In the process of defining utopia functions and it's unalienable elements it is reasonable to rely on the structural - functional analysis. But this approach supposes studying utopia in static state and doesn't let researching utopia's historical transformation. For researching utopia in dynamics structural- constructional approach can be applied. Methodological potential of this theory enables to review (...) sociality as multiplicity of human individuals arranged by means of social order which has been developed by the individuals themselves. Utopia is a theoretical construct, a result of social reality critical reflection experienced by the utopia subject; an outcome of socially and historically based and personally determined ideal alternative society image construction presented in various forms and modifications, enabled to exert a reformative influence on various spheres of social life. (shrink)

The article is based on theories of meaning creation and the concepts of archaic mind of Juri Lotman and Giambattista Vico. It compares the notions fantasia, ingegno, memoria and poetic logic by Vico with Lotman’s concepts of text, memory and modelling systems. Donald Phillip Verene’s and Marcel Danesi’s interpretations of Giambattista Vico’s work are also taken into consideration in the analysis. The article aims to bring out the characteristic features of archaic meaning creation. The archaic mind is considered to be (...) fundamentally poetic. Its main mechanism of generating new meaning is metaphorical identification of two otherwise separate elements. The creativity of this act lies in the presumption that imagination is needed to bring these two elements together — they cannot be identified with each other by the means of syllogistic logic. The archaic mind does not operate mainly with generic concepts, as rational mind does. It forms imaginative universals instead, which are based on the sense of identity between objects or their parts, not on the sense of similarity/ dissimilarity of distinct features of objects. This process forms the basis of poetic modelling, which is primary in relation to verbal modelling. (shrink)

The article is based on theories of meaning creation and the concepts of archaic mind of Juri Lotman and Giambattista Vico. It compares the notions fantasia, ingegno, memoria and poetic logic by Vico with Lotman’s concepts of text, memory and modelling systems. Donald Phillip Verene’s and Marcel Danesi’s interpretations of Giambattista Vico’s work are also taken into consideration in the analysis. The article aims to bring out the characteristic features of archaic meaning creation. The archaic mind is considered to be (...) fundamentally poetic. Its main mechanism of generating new meaning is metaphorical identification of two otherwise separate elements. The creativity of this act lies in the presumption that imagination is needed to bring these two elements together — they cannot be identified with each other by the means of syllogistic logic. The archaic mind does not operate mainly with generic concepts, as rational mind does. It forms imaginative universals instead, which are based on the sense of identity between objects or their parts, not on the sense of similarity/ dissimilarity of distinct features of objects. This process forms the basis of poetic modelling, which is primary in relation to verbal modelling. (shrink)

The article problematizes the relatively recent tradition (initiated by O.M. Medushevskaya and picked up by a number of researchers) of a phenomenological interpretation of A. S. Lappo-Danilevskii’s historical and methodological work. The article aims to find out whether, and if so, in what sense (senses) it is possible to talk about the phenomenology of Lappo-Danilevskii. It shows the grounds on which this interpretation can, within certain limits, be accepted, and the moments of principal divergence between classical phenomenology and Lappo-Danilevskii’s methodology (...) of history. The key point of these discrepancies is the phenomenological reduction, which is the essence of the phenomenological method, and, in the author’s opinion and contrary to the opinion of some researchers, is absent in the methodology of history of Lappo-Danilevskii. The theoretical positions that provoke the comparison of the views of Lappo-Danilevskii and Husserl are reduced to two main points: the problem of the psychological impenetrability of someone else’s Self and the understanding of the historical source as a construction of the historian. The article suggests that the “phenomenological motives” of Lappo-Danilevskii’s work are determined by the general philosophical and epistemological search of his time, perceived by Lappo-Danilevskii through the works of I. G. Droysen, Russian Neo-Kantianism and W. Dilthey, but hardly directly from Husserl’s philosophy, with which he could not be thoroughly familiar. The author suggests qualifying Lappo-Danilevskii’s methodological work as an original version of historical phenomenology, which was formed outside the direct influence of the classical phenomenology of Husserl. The article outlines the directions of further development of the problems laid down in Lappo-Danilevskii’s methodology of history, in particular, O. M. Medushevskaya’s “cognitive history,” A. L. Yurganov’s “historical phenomenology” and the sociological turn in the methodology of historical knowledge (turn from a subject to an actor) fixed by M. F. Rumyantseva. The latter, according to the author of the article, actualizes the key problem of the phenomenological tradition—that of intersubjectivity. (shrink)

This essay examines the unique conception of self (atman) developed by Utpaladeva, one of the greatest philosophers of the Kashmir Saiva Recognition (Pratyabhijña) school, in polemics with Buddhist no-self theorists and rival Hindu schools. The central question that fueled philosophical debate between Hinduism and Buddhism for centuries is whether a continuous stable entity, which is either consciousness itself or serves as the ground of consciousness, is required to sustain all the experienced features of embodied physical and mental activity, and, in (...) the context of the conceptualization of the world as saṃsara, whether such a self persists between rebirths and in liberation. Utpaladeva argues contra Buddhists and contra other atmavadins not only that differentiation and unity or change and continuity are compatible, but that a coherent account of our experience requires a continuous dynamic substratum that accommodates both. The Pratyabhijña's atman is opposed to that of Nyaya, Vaiseṣika, and Mimaṣs;a insofar as it is de-individuated, which makes it close to Advaita's Brahman, also a universal consciousness, from which it differs, however, insofar as it is theological and acts as the contentbearer by taking on forms, as opposed to being impersonal and passive. When compared with theologies, both from within and outside the wider domain of Hindu thought, the Pratyabhijña proves to be unique in that it gives a philosophically nuanced account of God, who stands in a nondual relationship to the individual self. This essay also compares the Pratyabhijña's theological account of self with the theological idealism of Berkeley and Bradley, finding it closer to the latter. Comparing the Pratyabhijña with its nearest Western philosophical counterparts should make it more accessible and intelligible from the standpoint of the Western academy and pave the way for involving its rich and distinctive conception of self in the fledgling cross-cultural philosophical dialogue on questions concerning self and consciousness. (shrink)

A widespread assumption in experimental comparative cognition is that, barring compelling evidence to the contrary, the default hypothesis should postulate the simplest cognitive ontology consistent with the animal’s behavior. I call this assumption the principle of cognitive simplicity . In this essay, I show that PoCS is pervasive but unjustified: a blanket preference for the simplest cognitive ontology is not justified by any of the available arguments. Moreover, without a clear sense of how cognitive ontologies are to be carved up (...) at the joints—and which tools are appropriate for the job—PoCS rests on shaky conceptual ground. (shrink)

The memory of the past is one of the supporting structures of society. Contributing orientation in time and space to society, the memory acts as a connection between the present and the future. With the help of memory, society maintains its identity. What society remembers or forgets is the cultural core of its values and meanings. Being the representation of the past, versatile and selective memory is undergone to constant reorganization in the society in accordance with the demands of the (...) present. The Soviet project, aimed at forming of a new society and a person, offered also its own project of the past, created its culture of memory. Ideas about the past changed along with the change of the Soviet present and the vision of its future. An important component of the culture of memory are the commemorations. Anniversaries of signifcant events and historical fgures allow to organize the work of the past in the present, to enter them into the current cultural space. The anniversary reading of the classic authors of Russian literature in the Soviet period was associated with the idea of mastering the cultural heritage of the past by the working people. The methods and forms of their memorialization, aimed at mass perception and appropriation, corresponded to the heroic matrix, which played the main role in the institutionalization of the Soviet collective whole. This matrix, based on the class-party principle, had two successive profles: revolutionary-international and nationalpatriotic. In the Soviet period there were several important dates in memory of Ivan Turgenev. Honorings of the writer complied with a certain canon. Turgenev’s works were primarily understood from the point of view of their social signifcance, in the context of both the Turgenev era and the Soviet era. Its multivalent potential was mainly considered from two aspects: the service to the revolution and the service toRussia. (shrink)

У статті проаналізований експорт вітчизняної продукції у вартісному вираженні в країни Європейського Союзу та Митного Союзу та її питому вагу; визначено структуру товарного експорту української продукції по галузях національної економіки в країни Європейського Союзу та Митного Союзу, а також видову товарну структуру експорту продукції металургії, машинобудування, АПК, хімічної промисловості, харчової промисловості та енергетичної галузі. Обґрунтовані основні чинники збільшення продуктивності сільськогосподарських підприємств, які сприятимуть підвищенню результативності їх функціонування. Наукова новизна результатів дослідження полягає в напрацюванні та обґрунтуванні автором пропозицій щодо зростання експорту (...) в країни ЄС. Це забезпечить нові можливості та вигоди для галузей національної економіки після вступу України до ЗВТ й сприятиме підвищенню конкурентоспроможності вітчизняних товаровиробників. (shrink)

The past decade has seen notable development of conceptual engineering – a field of analytical philosophy that focuses on the critical evaluation of concepts. Most authors engaged with this area identify Rudolf Carnap’s ideas as its methodological framework and theoretical origin, placing particular emphasis on the philosopher’s method of explication. This article highlights the unquestionable influence Carnap’s thought had on conceptual engineering whilst by no means reducing it to the utilisation and advancement of explication within this field of analytical philosophy: (...) indeed, conceptual engineering has incorporated – and brought to the forefront – much broader tenets of Carnap’s concept. This study draws on a series of the philosopher’s works, as well as his ‘Intellectual Autobiography’, to trace the evolution of his ideas about language and describe the fundamental elements revealing the ‘engineering perspective’ in his reflection. Most clearly, this perspective is evident in his interpretation of logic as a conceptual tool for acquiring and processing knowledge, ‘assembling’ it into a structure and refining the procedures of logic itself. It is shown that the origins of the engineering perspective trace back, on the one hand, to Carnap’s interest in the methodological framework of physics, particularly the measurement problem and its epistemological analysis, and, on the other, his fascination with interpretations of the nature of mathematical theory and the idea of unifying logicism and formalism by introducing the principle of tolerance, which adds a pragmatic dimension to methodology. The article examines in detail the idea of explication and its theoretical origins, which lie, in particular, in Carnap’s intention to exactify the notions expressing the degree of validity and probability. His idea of a link between the results of explication and its goal became the central principle of conceptual engineering, distinguishing it from mere conceptual analysis. It is concluded that, when considered together, Carnap’s two major ideas – explication and the principle of tolerance – can be placed in a broader context of a project seeking a rational reconstruction of the life of society and providing it with knowledge-based underpinnings. (shrink)

In this paper we propose an ‘undisciplinary’ meeting between Elinor Ostrom and Judith Butler, with the intent to broaden the theory of the commons by discussing it as a relational politics. We use Butler’s theory of power to problematize existing visions of commons, shifting from Ostrom’s ‘bounded rationality’ to Butler’s concepts of ‘bounded selves’ and mutual vulnerability. To be bounded – as opposed to autonomous being – implies being an effect of socio-power relations and norms that are often beyond control. (...) Thus, to be a collective of bounded selves implies being mutually vulnerable in power relations which are enabling, albeit injurious. A politics of commoning is not a mere technical management of resources but a struggle to perform common livable relations. We argue that the multiple exposures which produce us are also the conditions of possibility for more just and equalitarian ‘re-commoning’ of democracies around the world. (shrink)

Like Socrates, Aspasia did not leave any writings. We know about her from secondary sources. In this paper, I will show a number of things in the reports of what Aspasia said and did that are philosophically interesting, especially in what they show about dealing with various kinds of crises, from marital to political ones. First, I will argue for the most probable reconstruction of her life. Second, I will elucidate what kind of method Aspasia employed when considering marital issues. (...) Third, I will endeavor to prove that Plato’s representation of Aspasia was not a mockery, as some authors argue. Furthermore, the most significant philosophical points of Aspasia’s Funeral Speech will be highlighted and assessed. Eventually, I will attempt to figure out what Plato’s reasons might have been to ascribe this speech to a woman. (shrink)

Many scholars consider that Socrates in the Lysis holds that friendship and love are egoistic and utility-based. In this paper, I will argue against those readings of Plato’s Lysis. I will analyze how Socrates treats utility and egoism in the many different kinds of friendship he discusses in the dialogue, from parental love, like-to-like, and unlike-to-unlike relationships, to the accounts of friendship rooted in the human relation to the good and the ways in which we can belong with some other (...) human beings. The upshot of my paper is twofold. I endeavor to prove that some of these relationships, as Plato’s Socrates discusses them, are not egoistic and that Plato represents and valorizes a particular type of friendship having to do with philosophy and philosophical way of life, which is for the sake of another. (shrink)

[Translated by Google] The article touches upon one of the most important problems of criminal - procedural law. It examines the procedural position of the defense in the criminal - procedural production in terms of its role and importance. In the above legal literature expressed views on this issue. Based on the analysis of opinion identified three positions: 1.zaschitnik - representative of the accused; 2.zaschitnik - an independent participant in the process and at the same time representative of the accused; (...) 3.zaschitnik - assistant justice. Expressed about the legal status of the defense of equal rights representative of the accused as an independent subject of Procedure, the defender is why procedural independent entity and to what extent is defined by its independence, in which case the defender is representative of the accused and whether the defender of justice and the assistant. etc. On the basis of comparative analysis examined opinions on the issues of the theory of procedural law in Russia, Poland and Germany. Analyzed the mismatch position and the defense of the accused in relation to the fact of the crime, the ratio of public and private interests, and other questions, suggestions, and opinions. The work refers one of the important problem of the trial theory. A judicial procedure of protector is scrutinized from the standpoint of protector's role in the trial. Opinions expressed about this matter, in Law Literature, are given in this work. It follows that there are three positions: 1. Protector as a representative of the accused; 2. Protector as an independent part of a court trial and simultaneously representative of the accused; 3. Protector as an assistant of court. There are also given opinions about a judicial status of protector, why is it an independent element and etc. The conceptions existed in Russian, German, Polish trial theory about the above-named matter are discussed too. It is analyzed a relationship between the accused and protector, an incompatibility of positions about the fact, correlation of private and common interests and other issues. (shrink)

The benefit corporation is a for-profit corporation required to create a positive impact on workers, communities, society, and environment. The purpose of this paper is to explore how BCs reconcile dominant and alternative frames of profit. This study presented here explores three BCs in the U.S. through a dual-method approach based on observations and interviews. The study reveals how BC members understand and express the idea of profit. Furthermore, it shows the formation of an alternative frame of profit and elucidates (...) three processes whereby the dominant and alternative ideas are reconciled. It highlights both interpretive capabilities and limitations of social actors within the dominant discourse of the contemporary social-economic system. (shrink)

This paper concerns the role of intuitions in mathematics, where intuitions are meant in the Kantian sense, i.e. the “seeing” of mathematical ideas by means of pictures, diagrams, thought experiments, etc.. The main problem discussed here is whether Platonistic argumentation, according to which some pictures can be considered as proofs (or parts of proofs) of some mathematical facts, is convincing and consistent. As a starting point, I discuss James Robert Brown’s recent book Philosophy of Mathematics, in particular, his primarily examples (...) and analogies. I then consider some alternatives and counterarguments, namely John Norton’s opposite view, that intuitions are just pictorially represented logical arguments and are superfluous; and the Kantian transcendental theory of construction in imagination, as it is developed in the works of Marcus Giaquinto and Michael Friedman. Although I support the claim that some intuitions are essential in mathematical justification, I argue that a Platonistic approach to intuitions is partial and one should go further than a Platonist in explaining how some intuitions can deliver new mathematical knowledge. (shrink)

In Protagoras’ so called Great Speach, in Plato’s dialogue named after him, the Greek philosopher attributes the sophist a myth about the origin, development and nature of human beings, which has philosophical relevance. It is said that the gods created the mortal beings out of two elements, earth and fire. They assigned two titans, Epimetheus and Prometheus, to provide mortals with their faculties. Do this implies that creation had not been finished by the gods? To what extent do the gods (...) entirely create human beings? Is this mith a creationist one? In this paper, the development of living beings is divided in four stages, and different hermeneutic and explanatory models are proposed to adress the myth and answer the questions raised before. (shrink)

In this paper I will discuss Aristotle?s controversial philosophical views on women. I will critically examine three main interpretations of his claim that women have deliberative faculty?without authority?. According to the first line of interpretation, Aristotle has in mind that women?s incapacity of advice-giving and decision-making in public affairs are determined by conventions in the political context of his time. I will attempt to point out the disadvantages of this kind of interpretation. Furthermore, I will put forward the reasons why (...) is implausible the more recent interpretation, given by Marguerite Deslauriers. According to her reading, the lack of authority of deliberative faculty in women means nothing else than the tasks over which women have authority are for the purpose of the tasks put forth by men. The prevailing interpretation among scholars is that, in Aristotle?s view, women are naturally inferior to men, due to the fact that they are all too frequently overruled by the irrational?forces? of their nature. I will argue that this line of interpretation elucidates what Aristotle presumably has in mind, although it makes his account of women and their rationality, if not inconclusive, then indisputably problematic. In other words, I attempt to prove that, if the prevailing line of interpretation is correct, such view of women produces some philosophically?insurmountable? problems for Aristotle. The aim of the last section of the paper is to point out how some of these problems could eventually be resolved. (shrink)

This article is devoted to the work of the eminent Russian legal scholar and thinker Pavel I. Novgorodtsev. This is nearly the first time that Novgorodtsev’s philosophy of law is considered as the...

Kako je moguće baviti se Platonom danas, ukoliko je filozofija „svoje vreme obuhvaćeno mislima“? Autor Platonovom delu ne pristupa kao dogmatskom štivu, već kao tekstu prožetom paradoksima, koje izmiče svakom unapred pripremljenom, šematizovanom modelu čitanja. Obratiti se Platonu kao filozofskoj paradigmi isplativo je ukoliko filozofi koji progovaraju iz dubine vremena mogu nešto važno da nam saopšte i ukoliko smo kadri da im postavimo autentično pitanje. Zato filozofi moraju imati dah delfskog ronioca, jer biser se ne nalazi u svakoj školjci. Knjiga (...) Iz Platonove filozofije ulazi u red značajnih knjiga posvećenih Platonovoj filozofiji. Veći deo knjige je objavljen u časopisima od svetskog ugleda (na nemačkom i engleskom jeziku). Time je njen kvalitet potvrđen recenzijama koje su nastale van domaćih koterija, a delo se samerilo sa aktuelnim pristupima Platonu. Knjiga se bavi problemima koji su formulisani u drugoj polovini prošlog veka (napisano i nenapisano učenje), preko naizgled klasičnih tema (dvostruki paradoks, utemeljenje istorijskog i političkog, eros), do tekstova koji pogađaju fenomen aktuelnosti Platonove teorije i prakse (problemi kongitivne dispozicije i bioetike u Platonovoj filozofiji). Ispred nas je Platon u dijalogu sa filozofskim strujanjima s kraja dvadesetog i početkom ovog veka. Za Irinu Deretić smisao filozofskog dijaloga leži u procenjivanju i odmeravanju stanovišta u raspravi, kako bi se vlastito stanovište preciznije artikulisalo. Ne radi se o utopijskoj komunikativnoj zajednici - već o karakteru filozofskog dijaloga, koji je upućen na unutrašnji, a ne na spoljašnji agon. Platon iz sasvim nesofističkih razloga preuzima metodu sofista kada „slabiju stvar čini jačom“. Tome je suprotna eristička (ne)kultura, u kojoj strasti imaju prevagu na davanjem bilo kakvih, „a kamoli valjanih razloga“, piše Irina Deretić. Iz problematičnosti jezika i sučeljavanja sa bliskim granicama pojmljivosti, ne mora da proizađe i slabost logosa. Naprotiv, snaga logosa je obrnuto proporcionalna sposobnošću da se odredi njegova nemoć. Granicu Platonove misli Irina Deretić jezgrovito formuliše: „Platonov jezik je sav okrenut biću, i usmeren je na saznajno ovladavanje njime. Snaga argumenta učesnika u Platonovim razgovorima upravo se sastoji u njihovoj sposobnosti da tačno pogode stvarnost na koju se odnose i koju nastoje da izraze“. Ali to vodi oblikovanju samog karaktera dijaloga: sagovornici se podređuju vođstvu „same stvari“ mišljenja. Međutim, logos nije svemoćan, i inače, a pogotovo ne za Platona. Irina Deretić insistira na autentičnom smislu nemoći logosa kao racionalnog diskursa, koji se pokazuje na odlučujućim mestima, tamo gde njegove refleksije o idejama, posebno o Ideji Dobra bivaju suočene sa granicama njihove saznatljivosti i saopštivosti. Napokon, Platonova okrenutost biću nije dovela do teorije adekvatnosti između bića i jezika, nego do isticanja paradoksa i metafore. A šta je iza njihovog vela - ništa, ili su oni, naprotiv, konstitutivni za biće, da li uopšte može biti odlučeno? U skladu sa filozofskim vjeruju Nikolaja Berđajeva, može se formulisati karakteristika ove važne i lepe knjige: Iz dubine vremena izvire sposobnost da se filozofski misli, a to onda nije u koliziji sa aktuelnim „primenama“ filozofske refleksije. Naprotiv. (shrink)

We critically reconsider an old hypothesis of the role of the dekad in Pythagorean philosophy. Unlike Zhmud, we claim that: 1) the dekad did play a role in Philolaus’ astronomical system, and 2) Aristotle did not project Plato’s theory of the ten eidetic numbers onto the Pythagoreans. We claim that the dekad, as the τέλειος ἀριθμός, should be understood in Philolaus’ philosophy as completeness and the basis of counting in Greek – as in most other languages – in a decimal (...) system. Additionally, we argue that the number ten is not even a candidate for the τέλειος ἀριθμός in Plato’s philosophy. As a final result of our discussion, we compare and contrast Philolaus’, Plato’s, and Speusippus’ accounts of completeness in relation to numbers. (shrink)

What makes the paper relevant is modern strategies of neoliberal politics, according to which the political life of citizens is replaced by everyday politics of individuals. It has been established that the modern concepts of everyday politics of homo sacer and homo sucker contain the limit of ideas about the political life of citizens. The paper considers an ontological model of the political life of citizens built on the basis of thinking as form-of-life (Agamben). The return to the ontological level (...) of research can be explained by the fact that in modern conditions, the survival of a person depends directly on the person’s ability to think. Thinking as the form-of-life of a community is seen as a force that allows citizens to resist not only the inertia of social existence, but also the life watched carefully by the authorities. The paper presents two interpretations of political life based on the following statements: ‘I think, therefore I resist’ (Badiou) and ‘I resist, therefore I think’ (Arendt). (shrink)

Emotional competence has an important influence on development in school. We hypothesized that reading and discussing children’s books with emotional content increases children’s emotional competence. To examine this assumption, we developed a literature-based intervention, named READING and FEELING, and tested it on 104 second and third graders in their after-school care center. Children who attended the same care center but did not participate in the emotion-centered literary program formed the control group ( n = 104). Our goal was to promote (...) emotional competence and to evaluate the effectiveness of the READING and FEELING program. Emotional competence variables were measured prior to the intervention and 9 weeks later, at the end of the program. Results revealed significant improvements in the emotional vocabulary, explicit emotional knowledge, and recognition of masked feelings. Regarding the treatment effect for detecting masked feelings, we found that boys benefited significantly more than girls. These findings underscore the assumption that children’s literature is an appropriate vehicle to support the development of emotional competence in middle childhood. (shrink)

The aim of this paper is to elucidate the origin, development and nature of human beings as it is described in Plato’s Protagoras myth. My main claim is that, according to this story, the human is a multi-dimensional being with various aspects and dispositions. After the creation of mortals had been finished, the human dispositions were further developed and differentiated through time. The creation and further development of living beings is to be divided into four stages, out of which the (...) pre-political and political are of particular significance for humans. I will attempt to show that each of these stages can be better accounted for by using the different hermeneutical models, or by finding out which theory underlines each of them. (shrink)

Is the societal-level of analysis sufficient today to understand the values of those in the global workforce? Or are individual-level analyses more appropriate for assessing the influence of values on ethical behaviors across country workforces? Using multi-level analyses for a 48-society sample, we test the utility of both the societal-level and individual-level dimensions of collectivism and individualism values for predicting ethical behaviors of business professionals. Our values-based behavioral analysis indicates that values at the individual-level make a more significant contribution to (...) explaining variance in ethical behaviors than do values at the societal-level. Implicitly, our findings question the soundness of using societal-level values measures. Implications for international business research are discussed. (shrink)

On the definition of genre of Dostoevsky's works. The article mostly addresses Dostoevsk's own definitions of genres of his works, either explicated in the texts (subtitles, prefaces) or contained in the writer's letters; or rather the relationship between the scholarly strategies of defining genres and the writer's own view, as evidenced. by subtitles which, in some sense, are part of the text (in nearly, but not precisely, the same way as the titles themselves are). The writer's own definitions, then, can (...) be regarded as possible objects of the scholarly interpretation. Agreement, or lack thereof, between the author's and the scholars' definitions may be due both to similarity vs dissimilarity between the definition standards inherent in the respective epochs and to specific interpretation aspects. In the latter case, agreement is more cornman in studies focusing on vastly different problems unrelated to genre, whereas disagreement is more frequent in studies concerned with the genres of Dostoevsky's works. One of the reasons why his own definitions must be critically revisited is that certain titles of his workscan be basically viewed as subtitles or genre definitions insofar as they in some way define the variety of the text regardless of the underlying criterion: narrative, "discourse", type of source, genre, or genre variety. Indeed, both these subtitles and, sometimes, the writer's own genre definitions tum out to be pretense, an imitation of "standard" subtitles or genre definitions, respectively. Titles themselves sometimes look like subtitles, thus "exposing the device" and demonstrating this mimicry not merely by violating semantic and syntactic relations in the case of subtitles (sign/name/title/ subtitle and virtual reference/"reality" of text - and relationships such as those between title and subtitle; title and the principal text; and subtitle and principal text), but also by the fact that their position is "marked". Dostoevsky not just failed to follow his own "final genre definitions" within the text, as reflected in the subtitles, and not just changed them repeatedly in his letters, but in the official documents, too, he sometimes defined genres in a way which did not agree with either the subtitles or his own definitions given in his letters.Dostoevsky frequently changed the genre definitions not merely during his work on a text, which would be only natural, and not merely many years after it had been completed, published, revised, and republished (which might be ascribed to memory errors), but also shortly after the completed manuscript had been shipped to the publishers or after the text had been published or republished. While the logic underlying these changes must be studied and interpreted, it is evident that the scholars are often unable to accept the author's own "final genre definitions" both because these are often unavailable in subtitles, and because of the "Proteic" nature of their use by the writer in various contexts. (shrink)

On the definition of genre of Dostoevsky's works. The article mostly addresses Dostoevsk's own definitions of genres of his works, either explicated in the texts (subtitles, prefaces) or contained in the writer's letters; or rather the relationship between the scholarly strategies of defining genres and the writer's own view, as evidenced. by subtitles which, in some sense, are part of the text (in nearly, but not precisely, the same way as the titles themselves are). The writer's own definitions, then, can (...) be regarded as possible objects of the scholarly interpretation. Agreement, or lack thereof, between the author's and the scholars' definitions may be due both to similarity vs dissimilarity between the definition standards inherent in the respective epochs and to specific interpretation aspects. In the latter case, agreement is more cornman in studies focusing on vastly different problems unrelated to genre, whereas disagreement is more frequent in studies concerned with the genres of Dostoevsky's works. One of the reasons why his own definitions must be critically revisited is that certain titles of his workscan be basically viewed as subtitles or genre definitions insofar as they in some way define the variety of the text regardless of the underlying criterion: narrative, "discourse", type of source, genre, or genre variety. Indeed, both these subtitles and, sometimes, the writer's own genre definitions tum out to be pretense, an imitation of "standard" subtitles or genre definitions, respectively. Titles themselves sometimes look like subtitles, thus "exposing the device" and demonstrating this mimicry not merely by violating semantic and syntactic relations in the case of subtitles (sign/name/title/ subtitle and virtual reference/"reality" of text - and relationships such as those between title and subtitle; title and the principal text; and subtitle and principal text), but also by the fact that their position is "marked". Dostoevsky not just failed to follow his own "final genre definitions" within the text, as reflected in the subtitles, and not just changed them repeatedly in his letters, but in the official documents, too, he sometimes defined genres in a way which did not agree with either the subtitles or his own definitions given in his letters.Dostoevsky frequently changed the genre definitions not merely during his work on a text, which would be only natural, and not merely many years after it had been completed, published, revised, and republished (which might be ascribed to memory errors), but also shortly after the completed manuscript had been shipped to the publishers or after the text had been published or republished. While the logic underlying these changes must be studied and interpreted, it is evident that the scholars are often unable to accept the author's own "final genre definitions" both because these are often unavailable in subtitles, and because of the "Proteic" nature of their use by the writer in various contexts. (shrink)

On the definition of genre of Dostoevsky's works. The article mostly addresses Dostoevsk's own definitions of genres of his works, either explicated in the texts (subtitles, prefaces) or contained in the writer's letters; or rather the relationship between the scholarly strategies of defining genres and the writer's own view, as evidenced. by subtitles which, in some sense, are part of the text (in nearly, but not precisely, the same way as the titles themselves are). The writer's own definitions, then, can (...) be regarded as possible objects of the scholarly interpretation. Agreement, or lack thereof, between the author's and the scholars' definitions may be due both to similarity vs dissimilarity between the definition standards inherent in the respective epochs and to specific interpretation aspects. In the latter case, agreement is more cornman in studies focusing on vastly different problems unrelated to genre, whereas disagreement is more frequent in studies concerned with the genres of Dostoevsky's works. One of the reasons why his own definitions must be critically revisited is that certain titles of his workscan be basically viewed as subtitles or genre definitions insofar as they in some way define the variety of the text regardless of the underlying criterion: narrative, "discourse", type of source, genre, or genre variety. Indeed, both these subtitles and, sometimes, the writer's own genre definitions tum out to be pretense, an imitation of "standard" subtitles or genre definitions, respectively. Titles themselves sometimes look like subtitles, thus "exposing the device" and demonstrating this mimicry not merely by violating semantic and syntactic relations in the case of subtitles (sign/name/title/ subtitle and virtual reference/"reality" of text - and relationships such as those between title and subtitle; title and the principal text; and subtitle and principal text), but also by the fact that their position is "marked". Dostoevsky not just failed to follow his own "final genre definitions" within the text, as reflected in the subtitles, and not just changed them repeatedly in his letters, but in the official documents, too, he sometimes defined genres in a way which did not agree with either the subtitles or his own definitions given in his letters.Dostoevsky frequently changed the genre definitions not merely during his work on a text, which would be only natural, and not merely many years after it had been completed, published, revised, and republished (which might be ascribed to memory errors), but also shortly after the completed manuscript had been shipped to the publishers or after the text had been published or republished. While the logic underlying these changes must be studied and interpreted, it is evident that the scholars are often unable to accept the author's own "final genre definitions" both because these are often unavailable in subtitles, and because of the "Proteic" nature of their use by the writer in various contexts. (shrink)

This article challenges the orthodox explanation of the normative connection between contracting parties: The promisee is regarded as having a superior position vis‐à‐vis the promisor, a position manifesting itself in the promisee's authority or control over the promisor's performance, and supported, in particular, by the promisee's supposed power, or at least some sort of ability falling short of a normative power, to “waive” the promisor's duty of performance. The article demonstrates that this explanation is rooted in a one‐sided, and ultimately (...) wrong, understanding of correlativity in contractual relations and suggests a better understanding, one truly capable of accounting for contractual bilaterality. (shrink)

The author turns to Maxim Gorky’s literary–philosophical understanding of the meshchanstvo as a sociopsychological state and attitude to the world for which the main feature is the desire “to comfo...

The article discusses the philosophical underpinnings of Mikhail Yu. Lermontov's poetry as chiefly expressed in the antithesis of heaven and earth. It is argued that in Russian spiritual culture, Lermontov was the first to bring together the opposed poles of God and man in the sphere of the God-man.

The article defines the structure, level and structure of expenditures of the State Budget of Ukraine for economic activity. We found a number of budget support priority sectors, including the energy sector, roads, agriculture and so on. The source for the analysis is the application of the Law of Ukraine "On State Budget of Ukraine for 2014" and the program code and functional classification of expenditures and financing of the budget. The law provides for implementation in 2014 of more than (...) 500 budget programs, of which the largest budgetary allocations provided for key spending units. Analyzed the proportion of spending on economic activity in the State Budget of Ukraine, which only zamaye twentieth share in the general fund, and almost a third in a special fund, which indicates a clear thrust of expenditure. The author notes that a significant amount of funds allocated to the coal industry subsidies and restructuring at the expense of the general fund of the State Budget of Ukraine is economically justified to ensure the economic security of Ukraine. The main part of a special fund aimed at financing for road infrastructure as infrastructural spheres of the national economy, the responsibility for proper condition which carries state. Established that priority areas for financing agriculture in general and special funds of the State Budget of Ukraine is the state support for the development of domestic livestock food market as well as the costs of participation in international specialized organizations to ensure adequate state control over the standards and quality of food products extremely important in terms of Ukraine's accession to the WTO and the EU to strengthen the competitiveness of domestic producers. Positively also characterize the structure of fiscal expenditures on economic activity, a significant proportion of the fund and the special fund. However insufficient volume and specific gravity is funding fundamental and applied research in various fields of national economy, which hinders its innovative development. (shrink)